vol V, iss 3 (#19, Fall 2026)

branches of damp red and orange delicate leaves with fairy lights on copper wire woven among them, evoking both coziness and a late-autumn chill
Image by Julia Filirovska on Pexels

a note from dusti

At last, it’s here.

This isn’t an autumn-themed issue but autumn is on my mind now, as we’re still experiencing temperatures in the 90s here on the prairie. Aren’t my nothern hemisphere friends ready to experience that lovely slowdown that (supposedly) comes as we wind the year down? Keeping this publication running while in a dual master’s degree program sometimes feels like a fool’s errand. But then —

I read the submissions, and re-read them. I consult other writers & editors when the decision isn’t coming to me. The awe I feel as a writer for anyone who submits anything at all, anywhere at all, is real. And it’s hard to tell another writer no, regardless of how often I do it — because it’s hard to receive the no-thank-you. The relief comes when those poets are gracious in their responses, and then it really opens up when an acceptance is received as joyfully as it was offered.

Yes, I am an embarrassingly earnest person. It works for me.

This issue called for LGBTQIA+ poets, and I’m proud to feature work by Peach Delphine, Ryan Tracy, Jack Cariad Leon, Beck V., Yoru Rei, Alison Keiser, Cass Torrence (in a rare-for-us repeat), and Willa Stonecipher.

And now…the poems.

Your friend,

dusti


a half-lit black and white interior of a passenger train
Photo by Gabi Soutto Mayor on Pexels.com

Transfiguration On the Train

by Alison Keiser

The last car of the late train hosts quiet consumers, me,

this full body feeling. I watch two lovers across from me, their arms

of thick twine, every hiss and hum of the grating tracks is an ancient

melody, I mistake sidewalk graffiti for your name. I roll and roll over

this moment where you sit next to me in a ghoulish half-life.

I’m carving tooth-shaped grooves in my lips to pin down

a smile that keeps rising through me. I think and think to hold

on to you. In the window’s reflection, I remember

I am real and this is a becoming. It has taken me lifetimes to want

to write about love. It has taken lifetimes to be stirred into

these desperate spirals. It will take longer to know what to do

with any of it. My face is yellow-lit. It is among the bulbs of light that count

the cities I pass. These reminders of something witnessed.


remainder of branches in a fire, still smoldering with a little bit of orange flame holding on
Photo by u5927 u8463 on Pexels.com

Title: I checked my pronouns in a convenient little box but I’m still misgendered

by Beck V

everyone assumes that they know you until you do something that proves them wrong

but even then they don’t respect you they don’t use what you give them they just

take and take and take and take

and it’s never enough for them until your humanity is gone

and you don’t have anything anymore but they

take and take and take

and i don’t have anything left

but me but they

take and take

and i have had

enough but

still they

take


an elk with antlers looks back at the camera while standing in a bare-treed forest lightly dusted with snow.
Photo by Kimtek Meedia on Pexels.com

I Know My Fate

by Ryan Tracy

I didn’t need a compass to track him.

I could smell it on the sage, animal suffering.

I roam where men won’t show face.

Hoofs make tracks in pine gully, snow pocket.

I looked around, ears satelliting, heard no one for miles

but lands that are mine, paused at

the hubris of fences, then lowered my body, electing

to wait with him. I am more spirit

than saint. You have a law that says

if I have antlers I won’t be spared.

I know my fate.


photo of restaurant back of house employees working in a kitchen, taken from the outside through a back door
Photo by Zeynep Sude Emek on Pexels.com

Closing–

by Peach Delphine

hrt made technique necessity

prep setup eight burners eight

spiders folded into flame don’t

step onto my line if you can’t drag

mats at closing deck broom swab

wet then dry used to extremity

inevitability is where we draw breath

body endures we shuffle forms

tickseed bee thick crushed shell

loading dock alley washing grates

adaptation refines eye hand muscle

memory turning root vegetables care

of perishables willing suspension

of credibility abandoning expectation

as you say so you are as you say


a chef's knife slamming into a mirror on a table
Photo by Lidia Riehman on Pexels.com

shrimps and rice–

by Peach Delphine

high functioning bitch balancing marginal

survival if you understand how knife works

in hand how body functions mechanical

hydraulics how boning knife butcher knife

breaking knife function upon bodies within

a set period of time at proper temperature

on a proper block if your head is on a swivel

ear tuned to that voice if your hands are scarred

from work carrying genteel water toes numb

too many hours on concrete cooking plating

running food if you’re not management white

collar climate controlled work living space clean

water we can talk joy otherwise dialogue of survival

a simple question if less than half of us received

minimal care what was being affirmed


two large dogs, one tan and black, the other apricot, drink water from a puddle on a brick street
Photo by Matheus Santana on Pexels.com

built for running–

by Peach Delphine

what you call winter mostly dry

interlude between hurricanes

northern tier exotic weather

snow frost thaw how anyone lives

in that cold unnatural in every aspect

semi sliding into tropical apparition

in mirror is dog gone blind barking at sun

shadow in yard another old dog

we feed anyone here sleep on pallets

porch hounds yard dogs wanderers all

casualties of the binary running dogs of love

catch hounds some gone lame blind

worn pads bad knees dreaming of turkey

necks belly rubs slow ear massage

what was comfort only memory


a sad seagull in a blacktop parking lot with gravel around the parking spots and a bit of a tree trunk on a gloomy day
Photo by u015eahin Dou011fdu on Pexels.com

hey wats ur pubsub order again?

by Cass Torrence

I am a  sea bird in the publix parking lot and

i forgot my grandmas shopping list again

all i can remember is honey wheat toast and

a can of peaches but i cant call and ask

because i am a seagull i have no words

i have no thumbs i have no living grandma

everyone wants to write about the eye of the blue whale,

or its heart, or giant mock body suspended in the Hall of Ocean Life

everyone wants to be a big whale or a great white or an angler fish

wonders what they’d be like if they’d returned to the sea 50 million years ago, or had never left

at all

inside publix still can’t remember how she took her coffee,

i prevaricate, flapping my wings in front of the case of milk

all the lines of evolution lead to some anticipatory swell of grief

& every seagull & blue whale &  grandma knows it


an image that evokes the Aro Ace Sunset flag, starting with yellows, oranges, and corals, fading to shades of blue
Photo by Max Ravier on Pexels.com

Love & Ace

by Yoru Rei

Love is in the air

but singles do not care

Marriage is a lie

however hard we try

Wondering what’s my type

but nothing clicks with hype

I point at my face—

yeah, I’m aroace.


black and white photo evoking a female apparition, possibly with angel's wings, but not an ange.
Photo by Alexander Krivitskiy on Pexels.com

The Goddess

by Jack Cariad Leon

She appeared to me in a dream.

She said: “If you keep calling me

your divine saviour,

they will crucify both of us.”


a damp weed in eerie blue moonlight
Photo by SplitShire on Pexels.com

an antiphon

by Willa Stonecipher

we bury the bedsheets,

the itch of sprawling naked

in the midnight grass.

holy, holy, holy,

do not touch me,

do not let me go.


This Issue’s Poets

Peach Delphine is a transfemme former cook from Tampa, Fla. Work in Ballast, Some Words.

Jack Cariad Leon (he/him) is a multidisciplinary artist based in Brisbane, Australia. 

Alison Keiser is a poet and author based in Portland, Oregon. She has published works with Shelf Awareness, Midway Journal, and more. Alison supports other writers at Literary Press, Veliz Books and Amplify Publishing. 

Yoru Rei is a multigenre Asian poet and writer whose works have appeared in printed publications supporting vulnerable groups, such as disabled animals. 

Willa Stonecipher is a PhD student in History at Harvard University. 

Cass Torrence lives & writes in the high desert and Brooklyn. They love transition lenses & poems that pierce. 

Ryan Tracy writes, makes art, performs, and teaches literature. 

Beck V. is a creative living in California. Their favorite color is purple and that’s probably the most important thing about them. 


full moon seen from a valley, featuring sub alpine hills and trees and a lightly darkened sky
Photo by Frank Cone on Pexels.com